Showing posts with label DSLR rig. Show all posts
Showing posts with label DSLR rig. Show all posts

Tuesday, May 15, 2012

Mailbox: a decent shoulderpad for my rig

looks like aluminum but it's tough plastic
I have a Gini rig and the one thing that I'm particularly dissatisfied about, is the solid rubber block that is supposed to act as a shoulderpad. It's the wrong shape and it doesn't hug your shoulder- as a decent shoulderpad should. That was probably the single most reason I didn't use my rig much, apart from the fact that the ball joints didn't lock as secure as I wanted to. (using a wrench as opposed to the levers for locking the ball joints works much better)
So I finally got around to finding -and ordering- a shoulderpad that stays within budget and fulfills my needs. It has just arrived and I was surprised how light and small the little box was it arrived in... I never realized it when I ordered it, but this shoulderpad is made of plastic! But it's strong and well made.
There's nothing fancy or special about this little contraption but it does what it's supposed to and it does it well. The setup here is with my GH2 and works well. I also used it this way with my Sony EX1 R and I really liked it, although with a heavy videocamera like that I would have liked some counterweight. That's next on my list. But this shoulderpad is a good investment and really made me enjoy my Gini rig for the first time.

A simple and effective shoulderpad
Top view of the shoulderpad: non-standard threadholes..?

Friday, December 2, 2011

BUDGET DSLR CAGE?


I've always had a soft spot for the Cam Caddie. It's small, cheap (only $40,-), multi-functional and it looks like some kind of bug. It's just that I've had too many other stabilizers and rigs to ever go out and buy one, but this little bugger could prove a very worthwhile little 'cage'.
You can mount just about anything onto it: lights, mics, monitors, handles. It serves like a stabilizer and will get you smooth, low-angle shots. And last but not least: it protects your camera, sort of... You can also secure the camera between the platform and the handle with these special lockout kits (ridiculously expensive- this screams for DIY!) to get a nice, stiff rig when working with heavier camera's and/or gear. If you don't have a cage, rig or money, give this a shot. As I said, they're $40 new but you can often find them used on eBay for half!

Here's an old-school promo video on the Cam Caddie (cheap and effective, just like the cam caddie!)

Tuesday, November 22, 2011

GH2 shoot with compact rig

Compact GH2 rig 'on the job'

Did my first official shoot with my GH2 today and built this compact rig to suit today's needs. Was shooting with kids at a school and running about in the woods so I need something small and light. I took along my Pentax 6mm 1.2, my Panasonic Lumix 20mm 1.7 and my Canon FD 50mm 1.4. I wound up using the Panasonic most of the time because it is wide and will easily tell me at what aperture I'm shooting at. The Canon is too tele for handheld work and the Pentax aperture ring was too hard to see...
Audio was recorded on a Zoom H4n in combo with the Sennheiser G2 wireless series. My partner was doing the audio.
I planned to use my SmallHD DP4 but I was moving so fast I skipped mounting it most of the time. Can't wait to look at the (hacked GH2) footage.

Saturday, October 8, 2011

Review: Gini DSLR rig

GINI RIG: PRETTY BUT NOT PERFECT
Korean DSLR builder 'Gini' has built quite a name for himself over the last few years in the DSLR-world.  DSLR-rigs were -and still are- outrageously expensive. But Asian companies like Gini have brought these prices down considerably.
I bought my Gini DSLR rig about 8 months ago and only recently have I been using it regularly and with all the accessories I needed to be able to make full use of it. I feel that only now I can say something sensible about my rig. The emphasis is on 'my rig' because there are so many packages out there, so many configurations that you can only talk about the components in your particular set-up. But the basis, the materials, the clamps and the rods are of course all the same.

What is really the use of a rig?
  1. For one, to be able to mount your DSLR like a proper videocamera, on your shoulder and getting that same steadiness you're used to when working with pro camera's. 
  2. To add much desired mass to the camera's light body to keep the camera from registering your every touch or shake.
  3. To be able to add a light, a mic, a mattebox and whatever other accessory you may wish.
  4. It adds blingbling to your gear which to some makes you more professional-looking...
 But there are alternatives to rigs. You can buy yourself a DSLR cage. You won't be able to use your camera like a shouldercam but consider if you really intend to shoot like that. If not, a cage may be the better choice. It is generally more compact, more solid and easier to set up. It will also do a better job of protecting your camera.

BASEPLATE NEEDS RUBBER & SCREW IS HARD TO REACH
I bought my Gini rig in January. A relatively simple package: shouldersupport, baseplate, handles, monitor arm and some rods and clamps. It's easy to assemble and you can make different configurations from even a simple package like mine. But what do I really think about the Gini rig?

I still think, as I did then, that the design is wonderful and the materials top-notch. The finish is solid in every respect. (hardly a scratch after banging it around a bit) This stuff makes you feel like a little boy in a toy store. But there's a few points of criticism I have about the rig:
  • the baseplate has a screw for attaching your camera and that screw is hard to tighten. It's too big and you can't get your fingers inbetween once you have a follow focus or mattebox mounted. Almost always the camera keeps turning on the base and that's a bad thing. An idea to solve this would be a little piece of rubber that's sunk into the baseplate and would accomplish two things: 1) prevent the camera from turning/moving 2)it would allow for tighter screwing.
  • Another weak point of this rig is tightening the handlebars. It is a problem with all the clamps: you have to tighten the clamps so hard it hurts your fingers. Even then, I've had the handlebars loosen/slide when I was carrying a fully loaded rig. That's a very bad thing because it made me feel insecure and worried about damaging my equipment- and that's the last thing you need on a shoot. I have since tightened the clamps with a hex screw and was thus able to screw it tighter. But for obvious reasons I would have liked to just use the little levers that were made for that task and not have to bring extra tools (that can be forgotten or get lost) ...
  • Gini's shoulderpad is not ergonomic. It would be nice if it would adjust/sink onto your shoulder somwhat. And you need some counterweights to balance the rig out.

A TORQUE-SCREWDRIVER IS NEEDED TO TIGHTEN THESE LEVERS
Its eight months on since I bought my rig and meanwhile, Gini may have changed some of the designs. But I have seen the baseplate currently for sale and it still looks the same. (I am experimenting with removing the screw altogether and permanently attaching a quick-release adapter.) The levers and locking system still looks the same so I am curious if others have problems with securing the clamps.

I have recently bought some extra parts for my rig. I think a top handle is essential for carrying the rig around. And you will at least need a C-shaped support to attach that- or a cage.

My advice to shooters looking into buying a DSLR-rig would be: look carefully at what others have built and see what you need for your style of shooting. Start small and build according to your needs. Gini sometimes offers good deals but so do others. And last but not least: looks are great but not very functional. The importance of keeping it small and simple cannot be over-emphasized!

VERY 'BASIC' BASEPLATE

Thursday, September 29, 2011

Mailbox: Accessories for my DSLR rig

FINISHING TOUCH: C-SHAPE CAGE AND TOP HANDLE
Since I have just about everything for my DSLR rig, I might as well put the finishing touch to it. I had no way to comfortable carry the rig around so what I really needed was a top handle- and a way to mount it. There were two options: a square cage or a C-shaped support with top handle. I opted for the last one because in my case (I already have a basic Gini rig) it was cheaper.
After some research I opted for the Lanparte C-shaped Cage, a top handle and 2 rod-risers to accommodate a batterygrip for my camera's. Not cheap but good quality and very functional. After a little searching I found a place that was cheaper than eBay. I have the feeling that the old days -where the best deals were exclusively on eBay- are over...

ROD RAISERS ENABLE USE OF BATTERYGRIP
MATTEBOX AND FF SIT ON BLACK RODS

Saturday, July 9, 2011

One armed bandit


This looks to be a nice single arm DSLR support rig: all aluminum and stainless steel, modular, lightweight and at $89,- very reasonably priced! I don't see a camera plate for the quickrelease plate so I'm curious how that works... I hope they don't charge 50,- just so you can mount your camera ;-)
This system has only been on the market for a few months so I'm curious about people's experiences. It's called the MagicRig which comes pretty close to Magic Spider Rig from GiniRigs. 'Magic' seems to be the 'magic word' when picking a name for a camera accessory. How about something more original, guys?

Wednesday, March 2, 2011

Zooming in on a Follow Focus

Cinefocus R2
I've got several nice camera's, a beautiful Gini rig, a Lilliput monitor, a sleek set of lenses... so what's missing? A follow focus system. I love the touchscreen focus feature on my GH2 in combination with the pancake 20mm 1.7 but that's not going to work with my old prime Carl Zeiss and Meijer-Optik lenses.
My lenses have fixed gear rings so I could focus manually, I mean literally, by getting my right hand to the lens but I just don't see that happening smoothly. Try to keep a relatively heavy rig balanced with one arm while turning the focusring... nah, I don't think so. And even the follow focus is not going to solve the problem of having to let go of one handgrip. But it will be easier to access and make fine focusing a breeze.

Saturday, January 8, 2011

De Gini rig in vol ornaat

Een paar dagen gelden kreeg ik mijn Gini rig binnen: een staaltje Koreaanse perfectie. Volledig configureerbaar: je kunt met een basis-set beginnen en dan de boel uitbreiden met allerlei attributen. Het is een soort Meccano voor volwassenen, met veel zorg gemaakt, heel mooi vormgegeven en, niet onbelangrijk, heel degelijk en dus een waardevolle uitbreiding van je video-gereedschap.
Voor een prijs van rond de 270 euro is dit naar mijn mening een heel goeie deal. Zacuto bv vraagt voor al 420 dollar voor een baseplate, om maar wat te noemen. Deze Koreaanse jongens werken zonder tussenpersoon -en dat scheelt veel geld- en verkopen hun spullen alleen via eBay of hun eigen website. Ze hebben regelmatig 'special deals' en 'promo-kits' dus hou ze gewoon goed in de gaten. De prijzen op hun website lijken vaak goedkoper maar de verzendkosten zijn er wel wat duurder. Daar vragen ze ook veel voor maar dat is lood om oud ijzer. Lok ze met lage produktprijzen, pak ze een beetje terug met shipping costs. Uiteindelijk doet dat er niet toe: ze bieden gewoon een heel goed produkt voor een heel redelijk bedrag.
De komende weken kom ik nog wel op de rig terug, om mijn gebruikservaringen te delen. In het filmpje zie je de Gini rig zoals ik hem nu heb geconfigureerd.


All rigged up... and no place to shoot from Filmersblog.nl on Vimeo.

Thursday, January 6, 2011

De post van woensdag: Koreaanse delicatesse

Ik heb een heel fijn doosje uit Korea binnen: leuk om ook eens iets positiefs uit dat werelddeel te melden. Ik heb een week of 3 geleden een rig besteld voor m'n Canon 550D en het ziet ernaar uit dat ie binnen is. Kijk naar mijn tweede unboxing video en zie met eigen ogen dat dit echt klasse-spul is. Het ziet er goed uit, het voelt degelijk, de afwerking is prachtig; ik kan er weinig kritisch over zeggen. Nou ja, er zat geen handleiding bij...

Wednesday's mail: Korean Delight from Filmersblog.nl on Vimeo.