Showing posts with label lavalier mic. Show all posts
Showing posts with label lavalier mic. Show all posts

Wednesday, July 18, 2012

A bit of Sound Advice (on location)

MIC PLACEMENT: WHAT OPTIONS ARE THERE..?
For the last 8 months I've been working on a documentary doing camera, sound and I've even been doing the interviews the last few occasions. It's a bit much for one person but considering the budget and the advantages of being one-on-one with your subject, bringing in a soundperson has not been an option.
But obviously there is a compromise in sound quality when you're working without a dedicated soundperson. One of the biggest challenges is the placement of the microphone, in my case a wireless Sennheiser mic (MKE-2). Either it is visible and distracting on a person's chest or hidden behind clothing with the risk of the microphone rubbing against garment, thereby creating unwanted noise.
The people from Location Sound Corp have written a nice piece on lavalier microphones and the problems you may run into. They also have a few very good tricks to fix some of these problems:

Wednesday, July 27, 2011

The importance of furry things

yellow: the last color on earth for a softie
When I was employed by broadcasters I worked with camera crews on a regular basis. The 'softie' has always held a special place in the crew's gear-bag. The 'furry' is placed on a microphone on top of a boompole and dampens the sound of the wind.
Children and animals love the furry because it's soft and cuddly. And so does the crew. It is often referred to and has nicknames such as 'Muppet', "Moppy', 'The Hamster', 'Pussycat' and 'The Beaver'... (I didn't make that up, the crews did)

THE BIG FURRY
Now I'm mostly shooting as a one man band and I have used 'the fur' often on my camera mic when shooting outside. But only a few years ago did I learn about the softie for lavalier mics. I had always used the foam covers but noticed that they would do very little to reduce wind noise. As a result, I would avoid doing interviews outside with my lavalier mic. But then I discovered the mini-softies. They run around 25 bucks and they are worth every penny. They make the difference between poor and professional sound. (There's even one you can stick on DSLR's!) Make sure you get a good one, though. They look simple but a lot of thought has gone into the design and the materials being used. Rycote makes good softies but I'm sure there are others.

THE 5D FURRY!

I have a shoot tomorrow and much of it is outside. It is supposed to be summer but here in Amsterdam it is windy and rainy. Where would I be without my tiny windjammer? What the world needs is more soft and furry little things...

A FURRY FOR EVERY SKIN COLOR?