Return of the 15,- Pentax 6mm 1.2 (a succes story!)

grind down more on the side, as shown in picture

Ever since I bought my Pentax 6mm 1.2 cctv lens, I have not been able to focus on infinity. I paid someone €20,- to shave down the rear barrel of my lens but to no avail. I started grinding my c-mount adapter but that was not succesful either.
The problem is -and I know other buyers are struggling with the same thing- is that you don't know exactly how much to grind down of the barrel. People didn't get it and I didn't, either... It's not that the person who 'discovered' this cheap wide and fast lens, Seb Farges, wasn't helpful. He shared pictures of the mod but he was not able to explain exactly why simple 'shaving off a few millimeters' didn't work. But then, upon close examination and with the help of blogger Obakesan I finally noticed what I was supposed to do: shave off the outer side of the barrel a few millimeters more, untill you reach the screw on the side.
I bought a €35,- Dremel (electric tool) to do the job and after a few rounds grinding down the barrel... tadaaaa! Infinity! I am infinitely happy with the results... I will post some footage I shot with the Pentax soon. (Note: this is not a dirtcheap lens anymore: 15,- for the Pentax, 2 c-mount adapters@ 19,- together, 35,- for the Dremel... But the Dremel is a lovely tool: I used it to slice through metal today and it lived up to the task!)

GH2 AND PENTAX 6MM 1.2: TOGETHER AT LAST!

Super Takumar test footage

I shot some video here in my father's place in Vero Beach, Florida using the Super Takumar 50mm 1.4 on my Panasonic GH2. I also used my SmallHD DP4 for the first time in the way I will most often use it- without being plugged in to the wall, battery-powered. (what a pleasure to work with, by the way!)
The footage was shot with available (evening) light, which was very little. I was wide open and had to up the ISO from 1600-2500. No grading. The image looks tacksharp and has great bokeh. I pulled focus -manually, on the lens(!)- from inch to inch and you can see how incredible a job it does with the twigs, coral and shells. In the last shot the focus moves from the couch and pillows and then closes in from twig to twig. (it looks like a lot of dissolves but it's 'straight footage')

The music is from a CD that was lying around here and it won't get me in trouble with copyrights: it's kind of a spoof made by my niece Frederique Masselink-van Rijn, who has moved on to becoming a rising star as a photographer.

Super Takumar test footage from Filmersblog on Vimeo.

GH2 airport timelapse

I love the activity in this timelapse, shot at Philadelphia airport on my Panasonic GH2. The window we were looking out at was the perfect frame. My Slik tripod was checked in so I placed the camera on the radiator on the wall. A very nice timelapse except for two frames that went nearly black and I have no idea why...
Since I don't have Quicktime 7 Pro installed on my Macbook Pro, I had to find an alternative to make quick 'n easy timelapses. Well, in no time I found Time Lapse Assembler, a completely free, very simple program that makes timelapsing a breeze! I love it. Who needs Quicktime 7..?

GH2 Airport Timelapse from Filmersblog on Vimeo.

Panasonic GH2 hacked!

It was a matter of time and the time is now: the GH2 has been hacked. Programmer Vitaliy Kiselev has just got to work on the new firmware. Obviously it's still in Beta but he has managed to get these functions -at least partly- working:

• the 30 minute clip length limit being removed (for PAL versions)

• a PAL / NTSC menu function

• new audio bitrates

• AGC selection

• 720/25p, 1080/25p, and 1080/60p (the latter two currently freeze the camera)

If you want to be a Beta tester or want to help out with the development with a donation, here is the place to do so.

Exciting times- this is going to turn a great camera into a killercam! Power to the People! (didn't I use that slogan for a post a few days ago..?)

Sexiest topic on earth(not): lens adapters

SALESPERSON DEMONSTRATING C MOUNT ADAPTER

no-brand, well machined

(too) simple design

Ok, so it's not the most sexy topic in the world: adapter rings. An adapter is an adapter is an adapter, right? A simple piece of metal designed to connect two otherwise incompatible connectors. Yes and no. On the one hand it's supposed to do just that: connect two alien bodies. (it's getting sexier already...) But on the other hand: even simple little devices can vary enormously. Since yesterday I discovered some adapters are far more superior than others, even though they cost a lot less than some of their counterparts.

thicker metal, better grip

it works, but not great

Comparing the C mount to micro 4/3 adapters from Camdiox and a no-name one from this seller, I noticed that the no-name is much better machined, uses thicker metal and, perhaps most importantly, the outer ring has a very nice 'grip-design' that lets you attach and detach your lens with ease. It's the difference between disposable design and craftmanship. At US $8 including shipping this ring is highly recommended. I give it 4 stars: **** (out of five- always leave room for improvement...)

grip and thickness difference

Canon's Cinestyle vs Panasonic's Cinema

Sorry about the late post- Google's server was down all day...

Canon 600D Technicolor CineStyle versus GH2 Cinema Mode from Andrew Reid on Vimeo.

11 looks compared

I was so impressed with the look of this footage I shot a few days ago that I thought it a good idea to compare the different 'looks' or 'presets' available in the Panasonic GH2. (also because I accidentally changed a setting and forgot which one I used!)
I shot this in full HD with the Lumix 20mm 1.7 and fader ND wide open. It's all straight out of the camera but I did lower the brightness by two nudges in FCP on the Nostalgic and Nature shots because they seemed too bright.

The settings for 'my film' are:

Contrast 0
Sharpness -1
Saturation 0
NR 0

(spectacular, eh? ;-)


11 looks compared from Filmersblog on Vimeo.

550D/T2i and GH2 Full HD comparison

The second edition of a practical, completely non-scientific test. The first time shot in 720P, now in full HD. Two camera's, mounted with the same lenses: a 20mm, 50mm and 135mm. How do they compare. Both daylight WB, aperture mostly stopped down all the way -or almost so- except for the inside shots. Both camera's set to the highest quality.

Straight out of the camera's.

550D/T2i and GH2 Full HD comparison from Filmersblog on Vimeo.

Summerday: a short film

Took my son out to the 'skate-pleintje' (skate square) in the neighborhood. A bunch of kids, boys around the age of my son, were hanging out and skating. Nice kids, having a good time. I just wanted to take a few shots of the action & some skating but it became more than that.
When I came home and looked at the shots it felt -excusez le mot- 'filmic'. (There is something about this lens, the pancake Lumix 20mm 1.7. I talked about it in a post a few days ago: how can something be sharp and soft at the same time? Well, this lens demonstrates it.) Maybe it was the light on this day and the way I was able to control it with the Fader ND filter that made this footage stand out. The colors and warmth. The photogenic boys. The sound and movement. The special combination of it all somehow makes it more than just a few shots of some kids skating.
A short visual on comraderie, playing from dawn to sunset, about careless summerdays. This could be anywhere and about any boy in the world. (watch it fullscreen)

Summerday: a short film from Filmersblog on Vimeo.

abused Pentax 6mm 1.2

SHAVED REAR TURNS GOLD!

I found someone who was willing and able to grind down the rear barrel of my Pentax 6mm 1.2 so that I could focus. Somehow the lens didn't sink low enough into the adapter to be able to focus. After some chiseling and machining about 2 mm is shaved off. And yes, it focuses! But not, to my great disappointment, into infinity...
So I paid someone 20,- to abuse my lens and it is effectively useless. Where did I go wrong? Others have done the same thing and have been more succesful. I'm sure I can fix it. I won't give up. This story is not over yet...
I wanted to try it out anyway and took my GH2 to the Sushi restaurant and was able to steal a few shots of the food before my wife got annoyed with my monomanic behaviour, ordered me to put the camera away and be social...




Modified (abused) Pentax 6mm 1.2 from Filmersblog on Vimeo.

Photos by the filmlens

Took the Taylor & Hobson (actually: Taylor, Taylor & Hobson) out for a spin yesterday and came back with a lot of under and overexposed pictures. Like all these XS (that is: extra small) buggers it's a tough lens to handle and taking stills with the GH2 is still a bit of trial and error. I don't know if I somehow changed a setting but the LCD screen is pumping from dark to light (in 'M' mode) and I don't know what's causing it.
Anyway, some of the photos have that really sweet swirley bokeh. Love it or hate it...

Same lens, different camera: Panasonic GH2 & Canon 550D compared

I did a practical comparison between the Canon 550D and the Panasonic DMC-GH2. I took along five prime lenses and a tripod and set up both cameras with comparable settings, composition. Alternated camera's with the same lens. Everything was shot in 720p because for all practical purposes that's what I use most. Canon was set to ISO 100 and the Panasonic to 160. Mounted with the Carl Zeiss 25mm and 20mm f4 I upped both to ISO 200. Both were wide open, white balance was set to 6000K. Shutter at 50. Canon sat higher on the tripod because of a batterygrip, therefore a somewhat different perspective which is not solely due to difference in 'cropfactor'.(Canon 1.6 vs Panasonic 2.1)


Canon 550D/T2i & Panasonic DMC-GH2 comparison from Filmersblog on Vimeo.

Coming up: Panasonic DMC-GH2 & Canon 550D compared

I shot some footage with the Canon 550D and the Panasonic GH2 using several different lenses from my recently purchased prime lens collection. Tomorrow I will post my findings in the form of a short video on the blog. For starter's here's a frame from both camera's.

FRAME GRAB FROM CANON 550D

FRAME GRAB FROM PANASONIC DMC-GH2

My first night with the GH2

Just me, my dog and the GH2 with Panasonic pancake 20mm 1.7 during our daily (nightly) walk around the block. All of this is literally within 100 meters of my home.
It just shows to prove (or proves to show??) that the beautiful stuff is all around. But the touchscreen focus makes this possible. I would not have even attempted a lot of shots without it (or the swivel lcd for that matter)- too much hassle, can't judge focus from unusual angles.

All handheld (smoothcam filter), no grading... dancing with light!

My first night with the GH2 from Filmersblog on Vimeo.

Mailbox: a 6mm 1.2 for 14,99!

I read about the possibilities of adjusting a Pentax 6mm f1.2 to fit the Panasonic GH2 and use it in crop mode. That's a wide, fast lens and that usually means big bucks. In this case the writer mentioned a 9,99 pricepoint and that's a deal even the most deprived of filmers can afford.
There were more great deals to be found for this lens, the author said, but, as these things go, word spreads fast and many of the really cheap 6mm's were gone in the blink of an eye. But with a little bit of searching on national eBay-sites, I found a German seller who was selling a whole batch of them. It wasn't 9,99 but at 23,- incl shipping still a decent deal. These lenses are B-stock which means they could have imperfections.

Mailbox: an adapter for my Canon FD 50mm!

From somewhere between Jerusalem and Tel Aviv, a Russian Israeli by the name of Alexander Shkolnikov sent me a brown envelope containing a black metal ring. Today it dropped on my doormat in Amsterdam, I opened it, photographed it and connected it to my GH2. A small chain of events which, because I chose to write about it, will not go unnoticed. (And that was my contemplation for the day.)

True 24P out of the Panasonic GH2

24P out of the GH2 is wrapped in a 50i container, if I have read well. Now I'm not the most technical of persons. As long as it works I don't have to know how or why. But luckily for me and and many others like me, there are users and consumers very much involved in the inner workings of the soft and hardware that make up our cameras.
They know that these camera's can do better and they set out to prove it. Now someone has been able to figure out a way to record true 24P through HDMI onto an external recorder. It's a big deal, not necessarily because you get a much cleaner image but because it opens the door to many more possibilities on the GH2: the camera is not the impenetrable vault everyone thought it was. Here's the thread discussing this new development: http://tinyurl.com/6azfoya

Power from the USA

Geen haar op mijn hoofd die overwoog om tegen het officiële tarief van 99,- een accu voor de GH2 te kopen. Dat is 1/8 van de aanschafprijs van de camera!? Klonen zijn er niet dus welke mogelijkheden zijn er nog meer om de GH2 te voeden? Je kunt gaan zitten pielen met oplaadbare batterijen in combinatie met de officiële DC Coupler, je kunt met de officiële voedings adapter van Panasonic (60,- euro) uit de voeten, als je tenminste in de buurt van een stopcontact zit.

Mijn eerste 15 seconden met de Panasonic DMC-GH2

Gisteren, op de dag van aankoop: Ik MOEST iets draaien, al was het maar een paar minuten met het kleine beetje accu-power wat uit de fabriek kwam. Het was al gelijk duidelijk dat sommige shots nooit zonder het uitklapschermpje gemaakt zouden worden: de vloershots en de topshot van de stuiterende basketbal. Wat een feest is dit ding! En het wordt natuurlijk alleen maar leuker; als ik echt weet wat ik aan het doen ben...
De handleiding is een ramp, heb ik begrepen, maar een medegebruiker heeft de belangrijkste zaken voor het video-gedeelte van de camera in een 4 pagina tellend document samengevat. Dat is al een stuk beter dan de 200 pagina's van de complete gebruiksaanwijzing.

My first 15 seconds with the Panasonic GH2 from Filmersblog.nl on Vimeo.

Made in Holland: Een parel uit de Panasonic GH2

Ik vind dit zo mooi: absurd dat zulke indrukwekkende beelden uit zo'n onooglijk cameraatje komen. Ook met de hulp van Magic Bullet, trouwens. De GH2 staat hoog op mijn verlanglijstje, met name door dit soort video's. (ik weet wel dat de operator/editor -en lens- de film maakt, niet de camera, maar het is wel heel inspirerend) Bovendien zat ik te twijfelen over een upgrade naar de 60D maar de GH2 laat de competitie toch ver achter zich, op dit moment. Kijk en huiver.

GIGANTIC from Hugo Goudswaard on Vimeo.